| Introducing the Fiddle
Pro, for the working musician to the studio professional. |
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| The microphone is attached to the C bout of the violin by a
stainless steel spring clip. (The clip is covered by a soft but durable plastic to protect
the instrument). |
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| The microphone is rotated over the sound hole. |
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| A directional hyper-cardiod microphone is used in close
proximity to the instrument to capture maximum sound level and minimise risk of feedback. |
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| A miniature high quality connector feeds the signal to your
mixer / amp microphone input via a 5 metre long cable and male XLR connector. |
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| The micro-electronics in the connection block provides power
management, impedance matching and an amplified balanced output. (For 600 ohms standard
microphone input). |
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| Will operate from Phantom Power if available (switches
automatically from battery to phantom. |
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| An on-board 3-volt coin cell battery powers the microphone if
phantom power is not available. |
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| The device does not interfere with bow movement, is light in
weight (70g) and is unobtrusive. |
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| Absolutely no modification to the instrument is required, no
stick on pads etc. |
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| After your performance the device can be removed in less than
a second, and then store in the purpose-built foam-filled box provided. |